Unnatured

2024-2025

Unnatured presents an installation of silver gelatin photographic prints. These technically precise works have been deftly crafted through layered darkroom processes, printed on fibre-based paper, and toned with black tea. These subtle considerations imbue the works with a sense of time and care, and a certain warmth. Drawing on the tradition of wabi-sabi aesthetics, wherein the beauty of imperfections are celebrated, Unnatured privileges emoting and reveals the unspoken. Poetic and visually enthralling, these works aim to evoke empathy and understanding.  

Unnatured#2

2025

My project Unnatured#2 focuses on visualising the alienation, trauma, and conflicts within personal identity by using East Asian metaphors and the environmental elements to express emotional states. The project aims to subtly reveal the emotional tension by using the medium of handmade photographs in an installation. Methods of analogue photography process, and processes of distressing, wear and tear, nature-based toning, and stitching will be used. The photographs will be stitched with fabric and other materials to bring affective layers to the artworks.

I identified my artworks as flowing existence instead of flat printed pictures. With my bodily engagements in the making processes, the artworks show details and content more than just images taken with the lens. To express the condensed emotions, threads will be stitched in a tangled manner on the other side of the photographs. The blank distressed paper, spinning thread with the toning marks by tea, will deliver the representation of chaotic emotional states.

Among the Interstices

2025—Ongoing

Among the Interstices is an analogue photography installation that employs alternative photographic practices. In this work, I aim to investigate why traumatic and alienating memories from the past can form connections with objects and scenes in nature, and how encountering these connected objects in life can trigger persistent memories and flashbacks of past emotional states. The project explores how to visualise this phenomenon through photography, metaphor, and materials. And the self-reflection to find the answer. In this research project, I will revisit my own memories, traumas, and experiences to conduct further exploration.

我/ME

2024—Ongoing

我/ME is a nomadic film photography project. In this project, I use color film as a medium, combining my Chinese cultural background to express my subtle observations and reinterpretations of the hidden connections between existences in nature as an independent individual. All the photographs in this project were taken at various locations, including Queensland, Victoria, and Tasmania. However, in the photographs, regional specificity is blurred. Scenes from different locations are reconnected by me after I have identified their veiled connections.

In this nomadic photographic project, photography is not merely a form of documentation but an ongoing inquiry into the relationship between ‘self’ and ‘other.’ I strive to create a sense of rootlessness in the images, prompting viewers to lose their reliance on specific locations and instead turn their attention to contemplating the essence of ‘existence.’ The trees, waves, rocks, and rainbow in the frames are no longer mere natural phenomena but symbols resonating with my inner memories.

This nomadic approach to imagery allows me to use photography as a carrier connecting personal experience with the environmental surroundings. Here, photographs are not mere freeze-frames of a moment but become fluid channels linking memory and reality, the individual and nature, culture and geography. Through this series of images, I aim to explore how I’ reconstitute self-identity on foreign soil and seek a transcendent, boundary-crossing intimacy amidst all things.